Solo and Two Person Exhibitions
2026 Half Life, Akron Art Museum, Akron, OH
2026 Still Life, A.I.R. Gallery, Brooklyn, NY
2024 Time Tripper, Hartnett Gallery, University of Rochester, Rochester, NY
2024 Vernal, Bolivar Gallery, University of Kentucky, Lexington, KY
2023 Cadence, Northern Kentucky University, Highland Heights, KY (with Adrienne Dixon, curated by Sso-Rha Kang)
2021 Electric Forest, Clay Street Press, Cincinnati, OH
2019 Fearful Symmetry, Taft Museum of Art, Cincinnati, OH
2019 Transmissions, Thomas More University, Crestview Hills, KY
2015 DarkGlass, Salisbury University, Salisbury, MD
2012 Looking Glass, PAC Gallery, Cincinnati, OH
2012 Parallels: Work by Melanie Hart and Alice Pixley Young, Art Academy of Cincinnati, OH
2010 Nightfall, Weston Art Gallery, Cincinnati, OH
2008 Bone Secrets, University of Cincinnati, OH
2008 Thread Tide: Carissa Barnard and Alice Pixley Young, Aisle Gallery, Cincinnati, OH
2006 Dart Deftly, Vespine Gallery, Chicago, IL
Group Exhibitions
2026 Around Here, It’s Always Eternity, McDonough Museum, Youngstown State University, Youngstown, OH
2026 SuperNatural 2.0, 21c Museum, Bentonville, AR (curated by Alice Gray Stites)
2025 SuperNatural 2.0, 21c Museum, Louisville, KY (curated by Alice Gray Stites)
2024 “Write me letters” you write to me, A.I.R. Gallery, Brooklyn, NY, (curated by Nicole Kaack)
2024 Summer Salon, Ada Gallery, Richmond, VA
2023 Sunshowers, A.I.R. Gallery, Brooklyn, NY, (curated by Mira Dayal)
2023 The World is a Handkerchief/El Mundo es un Pañuelo, (curated by Claudia DeMonte and Cecilia Mandrille), Coral Gables Museum, Coral Gables, FL / 2022 Poliglota Gallery @ Proyecto’ace, Buenos Aires, Argentina / 2020 Elizabeth Foundation for the Arts, New York, NY / 2019 London Print Studio, London, UK, (catalogue with foreword by Gill Saunders, Senior Curator of Prints at the Victoria & Albert Museum)
2023 The SuperNatural, 21c Museum, Oklahoma City, OK (curated by Alice Gray Stites)
2023 Twenty Years Ago Today: DIT: The Collaborative Nature of Everything, Summit Hotel, Cincinnati, OH (curated by Linda Schwartz and Sue Spaid)
2022 State of the Art: Constructs, Sarasota Art Museum, Sarasota, FL and Akron Museum of Art, Akron, OH, (curated by Lauren Haynes, Alejo Benedetti, Allison Glenn)
2022 World Record: FotoFocus Biennial, Clay Street Press, Cincinnati, OH
2022 Summerfair Selects, Weston Art Gallery, Cincinnati, OH
2022 Structures of Feeling, A.I.R. Gallery, Brooklyn, NY, (curated by Rosario Güiraldes)
2022 Plate, Ink, Paper, Press, Off Ludlow Gallery, Cincinnati, OH, (curated by Mark Patsfall)
2021 Fractal Nature, A.I.R. Gallery, Brooklyn, NY, (curated by Patricia M. Hernández)
2020 State of the Art 2020, Crystal Bridges Museum of American Art, Bentonville, AR, (curated by Lauren Haynes, Alejo Benedetti, Allison Glenn)
2020 Forever is Composed of Nows, AIR Gallery, Brooklyn, NY, (curated by Co-Founders of Assembly Room Natasha Becker, Paola Gallio, and Yulia Topchiy)
2020 Paper Routes: Women to Watch Ohio, Riffe Gallery, Columbus, OH
2019 Emanate, Weston Art Gallery, Cincinnati, OH
2019 Active Directions of the Mind, A.I.R. Gallery, Brooklyn, NY
2018 Fotofocus Biennial: Open Archive, The Mini Microcinema, Cincinnati, OH
2018 Facing Disjunction, A.I.R. Gallery, Brooklyn, NY, (curated by Judith Tolnick Champa)
2018 Across the Divide, The Art Museum, SUNY Potsdam, NY
2017 4heads Governors Island Art Fair, Governors Island, NY
2017 The SuperNatural, 21c Museum, Durham, NC / Nashville, TN 2019
2017 The Other Thing, The Carnegie, Covington, KY, (curated by Michael Stillion)
2016 ArtPrize, Urban Institute of Contemporary Art, Grand Rapids, MI
2016 Microcinema, The Carnegie, Covington, KY
2015 InLight Richmond, 1708 Gallery/Virginia Museum of Fine Arts, 2015 (Best in Show)
2015 Currents: Santa Fe International New Media Festival, El Museo de Cultural, Santa Fe, NM
2014 Hybridity: The New Frontier, 21c Museum Hotel, (curated by Alice Gray Stites) Cincinnati, OH / Lexington, KY 2016 / Louisville, KY 2015 / Nashville 2019
2014 eMerge 2014, Bullseye Projects, Portland, OR
2014 Mending: New Uses for Old Traditions, University of North Carolina, Wilmington, North Carolina
2014 Displacement, Huff Gallery, Spalding University, Louisville, KY and New Harmony Gallery of Contemporary Art, New Harmony, IN
2013 Anywhere but Here, Whitdel Arts, Detroit, MI
2013 Tales They Told Us, Lexington Art League, Lexington, KY
2013 Wounded Home, Lloyd Library, Cincinnati, OH
2012 ArtPrize/Somewhere Else, UICA, Grand Rapids, MI
Curatorial Projects
2018 Altered Views: Experiencing the Contemporary Landscape, Lexington Art League, Lexington, KY
Professional Leadership & Artist Initiatives
2017– Co-Founder & Organizer (with Emily Hanako Momohara until 2021), Women Artist Critique Group, Cincinnati, OH
Ongoing peer-led critique group supporting women-identifying artists through structured critical dialogue and professional development
Grants/Awards
2026 Emergency Grant, Foundation for Contemporary Art
2024 Grant, Puffin Foundation
2024 Permanent Art Installation, Roger Glass Fine Arts Center, University of Dayton, OH
2023 Individual Artist Grant for Artistic Excellence, Ohio Arts Council
2020 Aid to Individual Artists Award, Summerfair Cincinnati
2020 Honorable Mention, SECAC Artist Fellowship
2019 Honorable Mention, SECAC Artist Fellowship
2019 Individual Artist Grant for Artistic Excellence, Ohio Arts Council
2017 Aid to Individual Artists Award, Summerfair Cincinnati
2015 Best in Show, InLight Richmond, Virginia Museum of Fine Art/1708 Gallery,
Richmond, VA
2011 National Endowment for the Arts/Hambidge New Artist Initiative Fellowship, Hambidge Center for the Arts and Sciences
2011 Arts Fellowship, Surdna Foundation
2003 Individual Artist Grant, City of Cincinnati
Selected Lectures & Visiting Artist Talks
2024 University of Kentucky, Lexington, KY
2024 Miami University, Oxford, OH
2024 University of Rochester, Rochester, NY
2023 Northern Kentucky University, Highland Heights, KY
2022 Ringling College of Art and Design, Sarasota, FL
2021 Sage Gallery, Sheridan, WY
2021 Texas Woman’s University, Denton, TX
2020 University of Cincinnati, Cincinnati, OH
2020 Riffe Gallery, Columbus, OH
2019 Taft Museum of Art, Cincinnati, OH
2019 Thomas More University, Crestview Heights, KY
2016 21c Museum, Lexington, KY
2015 Willamette University, Salem, OR
Artist Residencies
2025 Two Coats of Paint Artist Residency, Long Island City, NY
2025 Kala Art Institute, Berkeley, CA
2024 Stove Works, Chattanooga, TN
2021 Jentel Foundation, Banner, WY
2019 Hambidge Center for the Creative Arts and Sciences, Rabun Gap, GA
2016 Virginia Center for the Creative Arts, Amherst, VA
2015 Hambidge Center for the Creative Arts and Sciences, Rabun Gap, GA
2013 Jentel Foundation, Banner, WY
2011 Hambidge Center for the Creative Arts and Sciences, Rabun Gap, GA
2010 The Ragdale Foundation, Lake Forest, IL
2008 Virginia Center for the Creative Arts, Amherst, VA
2006 Contemporary Artist’s Center, North Adams, MA
Institutional Collections
21c Museum/Laura Lee Brown and Steve Wilson
University of Cincinnati, College of Medicine, Cincinnati, OH
University of Dayton, Roger Glass Center for the Arts, Dayton, OH
Ringling College of Art and Design, Sarasota, FL
Selected Press
2026 Etty Yaniv, “Alice Pixley Young: Still Life at AIR,” Art Spiel, February 23
New American Painting, Midwest Issue 179
2025 Sharon Butler, “Two Coats Resident Artist: Alice Pixley Young,” Two Coats of Paint, September
2022 Rebecca Reeder, “Alice Pixley Young,” I Like Your Work, August
2020 Ben Davis, “Arkansas’s Crystal Bridges Museum Just Opened a Sprawling Show About the State of American Art Today,” Artnet News
Artists Revealed for “State of the Art 2020” Exhibition, Juxtapoz
Ashlea Halpern, “9 Museum Openings Worth Planning Trips Around in 2020,” Condé Nast Traveler
Jack Radley, “Crystal Bridges New Space the Momentary Targets Millennial Art Lovers,” Artsy
Sarah Mills, “Exploring the Disruption of Climate Change with Alice Pixley Young,” Create! Magazine
Kaileigh Peyton, “Local Artist Alice Pixley Young Named One of Five Women Artists to Watch in Ohio,” Cincinnati Magazine
2019 Gill Saunders, The World is a Handkerchief, Impact Press, Bristol, UK
Josh Beckelhimer, “Emanate: Light, Time and Art,” Aeqai
Karen Chambers, “Fearful Symmetry,” Aeqai
2017 Daniel McDermon, “An Art Fair for the 99%,” New York Times
Allison Meier, “Art Amid Governors Island’s Architectural Decay,” Hyperallergic
Sharon Louden, “3 Examples of Proactive Artists Creating New Opportunities,” Creative Capital Blog
2016 Kate Bonansinga, “Art as Identity: 21c Museum Hotels,” Sculpture Magazine
Publications & Authored Work
2026 New American Painting, Midwest, Issue 179
2023 Cover Art, Memorious: A Journal of New Verse and Fiction, Issue 33
2020 Contributor, Fire Season II, ed. Abbott, Amory and Toohey-Wiese, Liz
2019 Author, Deb Brod at the Carnegie, Aeqai, January/February
2012 Illustrator, The History of Us, Leah Stewart, Simon and Schuster
1999 Illustrator, Three Kinds of Touches, commissioned by Women's Services, Inc.
1998 Author, Hybrids: The Mortal and the Mythic, Master’s Thesis, The Art Library,
University of Maryland, College Park, MD
Education
2001 MA Art Academy of Cincinnati, Cincinnati, OH
1998 MFA University of Maryland, College Park, MD
1995 BFA Painting/Printmaking, Ringling College of Art and Design, Sarasota, FL
1994 New York Studio Program/Parsons School of Design/AICAD, NY, NY
Gallery Affiliation
A.I.R. Gallery, Brooklyn, NY (alumni member)
Ada Gallery, Richmond, VA